Li Cornfeld, Curriculum Vitae
Dissertation: “Stages of Technology: Media and Performance in the Circuits of Production”
Supervisor: Dr. Jonathan Sterne
M.A. in Performance Studies, New York University, 2010
B.A. in Drama, Vassar College, 2006
(2016-2017) Wolfe Graduate Fellowship, McGill University.
(2015-2017) Graduate Writer in Residence, Institute for Gender, Sexuality, and Feminist Studies.
(2016) Graduate Travel Award, Media@McGill, McGill University.
(2015) Graduate Travel Award, Media@McGill, McGill University.
(2015) Graduate Research Fellowship, Media@McGill, McGill University.
(2014-2015) Graduate Excellence Fellowship, AHCS, McGill University.
(2014) Graduate Arts Travel Grant, Postdoctoral Studies Office, McGill University.
(2014) Graduate Travel Grant, Media@McGill, McGill University.
(2013-2014) Graduate Excellence Fellowship, AHCS, McGill University.
(2013) Graduate Travel Grant, Media@McGill, McGill University.
(2012-2013) Beaverbrook Graduate Entrance Scholarship, Media@McGill, McGill University.
(2006) Marilyn Swartz Seven Prize, Vassar College.
(2005) Burnam Fellowship, Vassar College.
(2018) “Babes in Tech Land: Expo Labor as Capitalist Technology’s Erotic Body.” Feminist Media Studies 18:1. (Forthcoming.)
(2017) “Expo Afterlife: Corporate Performance and Capitalist Futurity in the Carousel of Progress.” Women & Performance 27:3. (Forthcoming.)
(Co-authored with Jonathan Sterne and Victoria Simon) “To Err is Shakespearean: The Hinman Collator, Twitter, and Video Games.” Revise and resubmit, Shakespeare Quarterly.
(Co-authored with Jonathan Sterne) “Anti-fascism: Unfinished Business in Media Industries Studies.” Under review, Media Industries.
(2014) “The Sanitation Man: Erasing Evil in Walt Disney.” In A History of Evil in Popular Culture, edited by Sharon Packer and Jody Pennington. Santa Barbara, CA: Praeger ABC-Clio, 125-136.
(2012) “How to Do Things With Magic Words: The Scandal of the Spell-Casting Body.” In Hermione Granger Saves the World, edited by Christopher Bell. Jeﬀerson, NC: McFarland, 125-141.
(2010) “ADHD: Empowerment in Soft Focus.” In Click: When We Knew We Were Feminists, edited by Courtney Martin and J. Courtney Sullivan. Berkeley, CA: Seal Press, 51-58.
(2015) “‘They repackaged it’: Technofuturism in Tomorrowland.” Antenna Blog (6.1.15)
(2015) “As Seen on Shark Tank: Tech Entrepreneurship’s Portable Aesthetics.” Antenna Blog (3.3.15)
(2013) “Shamefaced: Reframing the Dove Real Beauty Sketches.” Flow 18:5
(2011) Review of The Smell of Popcorn by Jose Luis Ramos Escobar, Emisferica 7:2
(2010) Review of Hula as Resistance by Vicky Holt Takamine, Emisferica 6:2
(2016) “Fuck Your Feelings: Affective Politics, Social Media, and the American Right.” Decoloniality, National Women’s Studies Association.
(2016) “It Works Like Magic: Theatrical Production and the Production Launch.” Spectacular Labor, Performance Studies Focus Group, Association for Theatre in Higher Education.
(2016) “Sexual Spectical: The Erotics of Technology’s Demystification.” Queer Research Colloquium, McGill University.
(2016) “Pedagogies of Promotion: A Workshop in Play.” Signal/Noise, FemTechNet.
(2016) “Magicians of Silicon Valley: Live Performances of Media Technologies.” Magic: Between Embodiment and Ontology, Department of Art History and Communication Studies, McGill University.
(2015) “’An Echo From the Past’: Technologies of Memory in the Carousel of Progress.” Vital Memories, Performance Studies Focus Group, Association for Theatre in Higher Education.
(2015) “Expo Labor as Media Production: A Production Studies Approach to Media Labor Research.” Hegemony or Resistance: On the Ambiguous Power of Communication, Interantional Association for Media and Communication Research.
(2014) “From Headlines to Hidelines: Upworthy and the Marketing Logic of Political Discourse.” Social Media Collective, Microsoft Research.
(2014) “A Great Big Beautiful Tomorrow: Walt Disney and the Failed Promise of Industrial Futurity.” Feminist Technics, Queer Machines: Inventing Better Futures, Studio XX and Institute for Gender, Sexuality, and Feminist Studies, McGill University.
(2014) “Marxist Fembots in Walt Disney’s Carousel of Progress.” Living Labor: Marxism and Performance Studies, New York University.
(2014) “Fantasies of Labor Between Cinema and Macy’s Santaland.” Society for Cinema and Media Studies, Seattle, Washington.
(2013) “Is This a Joke: Toward Impasse Comedy.” PSi 19, Stanford University.
(2013) “We are Santa’s Elves: The Labor of Fantasy and the Fantasy of Labor.” PSi 19, Stanford University.
(2012) “Straying from the Path: Risk, Consumption, and Little Red Riding Hood.” Whose Business is Risk?, Studio XX and the Institute for Gender, Sexuality, and Feminist Studies, McGill University.
(2011) “Mourning Becomes Electronic: Thanatological Film and the Memorial Web Video.” Critical Themes in Media Studies, The New School.
(2011) “Moving Image: Militant Mourning from AIDS to SIDS.” PSi 17, Utrecht University.
(2011) “Shooting Heroines: On Dina Goldstein’s Fallen Princesses.” From Portraits to Pinups: Women in Art and Popular Culture, The Brooklyn Museum.
Adjunct Lecturer, THR/ARH 334: Avant-garde Art and Performance, 1900-1945
(2010-2011), Sadie Nash Leadership Project at the New School
Academic Instructor, Fairytales and Feminsim
(2008) Rugao Teacher’s College, Jiangsu, China
Visiting Lecturer, English as a Second Language and English Teaching Methods
(2014) COMS 230: Communication and Democracy
(2014) COMS 310: Media and Feminist Studies
(2013) COMS 210: Introduction to Communication Studies
(2013) COMS 310: Media and Feminist Studies